Ok thanks Bob, and better lighting in the room would help too?
The problem with lighting is that DSL, cameras are quite sensitive to white balance, in the days of wet film your film was balanced to the Kelvin of the light so for daylight you used a film balanced to day light ect as the digital camera has no way of knowing the light balance it needs fine tuning sadly the more expensive cameras are the only ones that you can fine tune.
I am not familiar with cannon as i use a Nikon.
Some were on the camera your have a WB setting it will have several setting plus a way of setting for the Kelvin.
Mine comes under the "Shooting" menu. It is basically a way of telling the camera what sort of light your using ie flash daylight tungsten ECT
It is possible to make a L066 look like a L173 with clever use of the white balance
This link may help
[ame="http://en.wikipedia.org/wiki/White_balance"]Color balance - Wikipedia, the free encyclopedia@@AMEPARAM@@/wiki/File:Lily-M7292-As-shot-and-manual.jpg" class="image"><img alt="" src="http://upload.wikimedia.org/wikipedia/commons/thumb/0/01/Lily-M7292-As-shot-and-manual.jpg/220px-Lily-M7292-As-shot-and-manual.jpg"@@AMEPARAM@@commons/thumb/0/01/Lily-M7292-As-shot-and-manual.jpg/220px-Lily-M7292-As-shot-and-manual.jpg[/ame]